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Intervals Candidates will be asked to sing any of the following intervals above or below a given note: major 2nd major and minor 3rds perfect 4th perfect 5th major and minor 6ths perfect octave The examiner will play the first note once, and the candidate will sing the interval.

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Chords Candidates will be asked to identify a major triad or a minor triad in root position. The examiner will play the chord twice in solid form, close position. Grade 6 For the Grade 6 examination, examiners will attach special importance to voice production. Candidates must be prepared to sing four songs from memory: two from List A two from List B Each bulleted item represents one selection for examination purposes.

Songs may be transposed to suit the compass of the candidates voice and may be sung either in the original language or in a published English or French translation. Climbin up the Mountain arr. Ride On, King Jesus arr. Burleigh BEL. You Beautiful Swallow arr. Auf dem Rhein, op.

Plus on est riche Si ceux qui disent Guridi Bidaola, Jess. Vocalises Candidates must be prepared to sing two vocalises from the following list, changing vowels between [a], [e], [i], [o], [u], and [y] according to phrasing. Please note that the candidates vocalise performance must include all six vowel sounds.


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The vocalises need not be memorized. Panseron, Auguste-Mathieu. Technical Tests The candidate will be asked to sing the exercises shown below in various keys that are suitable to the compass of the candidates voice. All exercises including those involving staccato will be sung using the vowels [a], [e], [i], [o], [u], and [y] as requested by the examiner. Candidates will be asked to sing, clap, or tap the rhythm of a short melody in 4 , 4 , or 8 time after it has been played twice by the examiner.

EAR TESTS continued Intervals Candidates will be asked to sing any of the following intervals above or below a given note: major and minor 2nds major and minor 3rds perfect 4th perfect 5th major and minor 6ths minor 7th perfect octave The examiner will play the first note once and the candidate will sing the interval. Candidates must sing only the requested interval; the first note and any intermediate notes are not to be sung audibly. Chords Candidates will be asked to identify any of the following chords: major triad in root position minor triad in root position dominant 7th in root position The examiner will play the chord twice, in solid form, close position.

Candidates must be prepared to sing five songs from memory: two from List A two from List B one from List C Each bulleted item represents one selection for examination purposes. Songs may be transposed to suit the compass of the candidates voice, and may be sung in the original language or in a published French or English translation.

Der Alpenjger D , op. Erstes Grn, op. Concone, Giuseppe Vocalise in B flat major, op. Vocalise in G minor, op.

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All exercises including those involving staccato will be sung using the vowels [a], [e], [i], [o], [u], or [y], as requested by the examiner. Candidates will be asked to sing back a diatonic melody of about four measures in 4 time while clapping the basic beat, and to state whether the melody is in a major or a minor key. The range of the melody will be an octave or less.

The examiner will play the tonic chord once and the phrase twice. Candidates must sing only the requested interval; the starting note and any intermediate notes are not to be sung audibly. Chords Candidates will be asked to identify any of the following chords: major triad in root position minor triad in root position dominant 7th chord in root position diminished 7th chord The examiner will play the chord twice, in solid form, close position.


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The melody will be approximately four measures long and will contain diatonic skips. Selections may be transposed to suit the compass of the candidates voice. Repertoire selections may be sung in any published language, with the following restrictions: The candidates program must include at least one selection in English.

The candidates program must include at least two selections in a language other than English. Candidates are encouraged to sing repertoire in the original language. Am Sonntag Morgen, op.

Shepherd, Thy Demeanor Vary arr. La dernire feuille, op. Bonjour Suzon! Au cimetire, op. Die Lotosblume, op. Widmung, op. Gibbs, Cecil Armstrong Three Songs, op. Barber, Samuel The Daisies, op.

Meaning of "Eheknochen" in the German dictionary

Recitatives must be sung from memory in the original language. The Gondoliers But, bless my heart. The Sorcerer Why this strange depression. Offenbach, Jacques Les contes dHoffmann La! Utopia Limited Oh Zara, my beloved one. Iolanthe Love, unrequited. Vocalise in G major, op.

All exercises including those involving staccato will be sung using the vowels [a], [e], [i], [o], [u], and [y], as requested by the examiner. Candidates will be asked to sing back a diatonic melody of approximately three measures in 8 time while clapping the basic beat, and to state whether the melody is in a major or a minor key. Candidates must sing only the requested interval; the first note and any intermediate notes should not be sung. Chords Candidates will be asked to identify any of the following chords: major four-note chords in root position and first inversion minor four-note chords in root position and first inversion dominant 7th chords in root position diminished 7th chords The examiner will play the chord twice, in solid form, close position.

Scales Candidates will be asked to sing the following scales, one octave, ascending and descending. Only the starting note will be given. Cadences Candidates will be asked to identify, by name or numerical symbols, any of the following cadences in a major or minor key: perfect authentic VI plagal IVI The examiner will play the tonic chord once, and then play a short phrase ending with a cadence twice. The melody will be approximately four measures long and may contain simple modulations. The examiner will play a broken tonic chord and the starting note to establish the key, allow the candidate a moment to look over the music, and then repeat the chord and starting note.

Grade 9 Candidates are advised that equal importance will be attached to voice production and to interpretation.

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Recitatives and arias from cantatas, oratorios, and operas must be sung in the original key. Other selections may be sung in any key appropriate to the candidates voice, and may be sung in the original language or in a published French or English translation, with the following restrictions: The candidates program must include at least one selection in English.

The candidates program must include selections in at least two of the following languages: French, German, Italian, Latin, Spanish.


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  • An die Nachtigall, op. Sapphische Ode, op. Therese, op. Amour dantan, op. Nachtlied Vergangen ist der lichte Tag , op. Au bord de leau, op. Die beiden Grenadiere, op, 49, no. Songs SCH Myrthen, op. Lane arr.